Stepping into Magic: an actor's journey…

"Be not afraid of greatness: some are born great, some achieve greatness and some have greatness thrust upon them" ~William Shakespeare

Archive for the tag “MojadaMedeaOSF”

#MojadaMedeaOSF: Dia De Las Madres Part 2.

When I first sat down to write my blog post today I realized it was the perfect day to memorialize the weekend I had a few weeks back in Chicago with my parents. So I wrote that post and then I began to think about Mothers, and I couldn’t stop thinking about the Mother’s who have lost their children. Especially those in Mexico, where Mother’s Day is being celebrated today. So another post came about that I wanted to share…

May 10th is a bittersweet day because over the past decades Mothers in Mexico have organized protests calling out the government on their lack of help in finding their lost children. Las Desaparecidos (the dissapeard ones) the women, men, boys and girls who have gone missing by the thousands in a country plagued by drug trafficking, gang warfare, cheap labor, dirty politics and misogyny.

In 2003 I learned a lot about the missing children of Juarez, especially the women and girls, when I joined the theatre troup Las Meganenas. They had an original work that had been performed numerous times called Rio De Lagrimas/River of Tears. The story followed a young student who was learning about NAFTA and the effects on our neighboring country Mexico. After falling into a deep sleep she is visited by three spirits that take her on a journey of transformation, learning, knowledge, history and loss. She first becomes La Malinche and recounts how her children, born from a Spanish father, were taken from her. She then transforms into La Llorona (The Crying One) and mourns for her children that have been killed by her own hands. Finally she transforms into a Maquiladora worker (Factory Worker) who represents the thousands of women who are faced with living far away from home in very dangerous surroundings and who suffer abuse, rape and even death.

The piece is infused with music and photography, ritual and poetry. One of the most poignant moments was when we would ask the audience members to read names off of small stones we handed out with the programs at the top of the show, and lay them to rest at the altar on stage. We held space for these lost children, said their names, promising not to forget.

It was one of the most challenging and fulfilling pieces I have ever worked on, as a director and actor. These women, Las Meganenas, are still a huge part of my heart and working with them is one of the reasons I am telling the story I am right now with Mojada: A Medea in Los Angeles. Their mission to talk about those that no one wants to talk about, issues that are swept under a rug, pain that is not recognized is instilled in me. Their work helped me form my mission as an artist to tell relevant and important stories. An each of them are Mothers, who in their daily lives nurture and love the next generation of storytellers and change makers, including me…

lasmeganenas2010

Las Meganenas! (L-R) Valerie Borrego, Vivian Fernandez, Apryl Begay, SZV, Michelle Otero Soledad Hindi, Alicia Lueras Maldonado.

Recently I was chatting with a group of Latino students on a tour of OSF, they weren’t going to be able to watch Mojada: A Medea in Los Angeles in their short visit, but they were curious what it was about. I asked them if they had ever heard of La Llorona and their faces lit up! We talked about what happened to this woman who is so heartbroken that she takes the lives of her own children. I explained that my play is similar and based of an ancient tale that explored the same themes. A connection was made through a shared history of story…

Today and this weekend has got to be very difficult for those who have lost their children, in whatever manner. From Mexico to Syria, from down the block to our own homes. Loss of a child is something that I cannot fathom, and yet it is something that I am dealing with each night I take on this role. That final moment of the play when I have to stand on stage in the stark horror of my choice. I wonder how those who have inflicted pain and violence on the children of our world are haunted? How does the blood of our children, which soaks the earth we walk on, haunt the future generations? How do we hold space for those that are mourning, those who are haunted, those who haunt…?

 

I think we can begin by talking about it, and no matter what steps we choose to take part in the fight, we vow to NEVER FORGET & NEVER BE SILENT.

Tell Their Stories.

Hopefully, today or sometime this week we are all given the chance to thank a Mother for their work, their love, their support, their gifts. Even if it’s a whispered prayer to those who have passed on, because they are still with us. For all of you reading who are Mothers, THANK YOU. You are the ultimate creators of joy, love, good and hope. The light in the dark…

Feliz Dia De Los Madres!

 

#MojadaMedeaOSF: WE ARE HERE…

Mojada Full Poster OSF

February 26th, 2017 we opened Mojada: A Medea in Los Angles  by Luis Alfaro, Directed by Juliette Carillo, at the Oregon Shakespeare Festival. The matinee crowd was electric, when Luis Alfaro introduced himself in the recorded curtain speech the theatre erupted in cheers that continued until Luis himself stood up. Then the cheers and yells continued. The young actor who plays my son, JJ Jimenez, myself and VIVIS, who plays Tita were standing at places, our ears ringing with the noise of the crowd. The lights dimmed, our cue light went off and I stepped onto the stage for the third time as Luis Alfaro’s Medea.

mojada-1 Prologue

Jahnangel “JJ” Jimenez as Acan and Sabina Zuniga Varela as Medea    Photo by Jenny Grahm

I started this blog in 2012 along with my first equity show: Bruja @ The Magic Theatre, directed by Loretta Greco. This was the first incarnation of what is now Mojada: A Medea in Los Angeles. In 2015 I portrayed Medea in a production at the Getty Villa co-produced with The Theatre @ Boston Court. And now we are off and running at the top of the season at the Oregon Shakespeare Festival where all four of the first shows of the 2017 season feature Latinx leads! WE ARE HERE!

OSF Top of Season

Armado Duran as Caesar in Julius Caesar; Sabina Zuniga Varela as Medea in Mojada: A Medea in Los Angeles; Daniel Molina as Hal in Henry IV Part One & Jamie Ann Romero as Viola in Shakespeare in Love.

This past Saturday we had a matinee that was filled to the brim with High School students from the East Coast, Sacramento and Santa Barbara. After the show our Stage Manager hosted a dynamic talk back with the audience. When the post show ended I talked at length with several of the audience members, students and teachers. The conversations went beyond “congratulations” and “good jobs” and quickly dove into questions, stories and discussions…

Four interactions have stayed with me from that afternoon. First, a tall, thin African student in a beautiful red sweater introduced himself to me and began by saying “I am trying not to cry…” He then shared with me that his parents are from the Ivory Coast and the line that really stuck out to him was when Medea’s son tells her “Mom, speak English…” He began to cry and talk about how his family has struggled with assimilation. He pointed to his sternum and explained that this story had hit him at his core, and he was going to need time to process it. We hugged for a long time, both of us with tears of connection on our faces. After speaking to a few other students I noticed a young Asian woman who was being consoled by the young man from the Ivory Coast, she was crying. I walked up to her and asked if I could hug her, she quietly said yes and we too held each other full of emotion. I asked her name and she shared with me that she was here in the United States at a boarding school, from Hong Kong, with no family in this country. She was particularly curious about  how I, as an actor, deal with the emotions of my character of Medea. “Do her emotions become a part of you?” We talked about how healthy it is to cry, I mentioned some self-care I have discovered for this role is taking a shower right after I walk off the stage from curtain call. We recalled a line that Tita has in the play when she is recounting taking a shower after crossing the border: “I let the water run, and the tears follow.” Our tears turned to smiles as we snapped selfies and thanked each other for the communal experience.  Next, a young (I think caucasian student, but his Spanish pronunciation was excellent, so who knows what his beautiful background may be) man introduced himself and asked if he could chat with me about a few lingering questions he had. We had the OSF bricks to ourself for a few minutes and delved into a deep discussion about why Medea feels so stuck and scared in the United States. Why does she not let herself try and succeed like Hason? What is it that is holding her back? And of course WHY does she commit her final act…? He was so intrigued about her thoughts and trauma, about understanding why she was the way she was. Soon his classmates joined him and we said our goodbyes. As I was walking away a young Latinx student stopped me to introduce herself. She was from the school in Santa Barbara and was one of a group of students who wrote essays to qualify to go on the school trip to OSF. There were hundreds of students who wrote essays and she made the cut. She mentioned in particular that her essay focused on the fact that Luis Alfaro’s play was part of the season. We hugged and smiled, took a photo and I asked her to send me a copy of her essay.

Granite Bay HS

Twitter photo from Theatre @ Granite Bay One of the High School groups who saw all four shows this weekend at OSF!

Four students from vastly different backgrounds, bloodlines, cities and countries found themselves on common ground in a theatre on a Saturday afternoon. We connected with our personal lenses, our personal hiSTORIES, our emotions. This is the generation that has inherited the scars, wounds and genetic memory of this country and the countries of their ancestors. If we all dig deep enough we will find the immigrant story in our family tree. If we open up we can ask questions about hurt and sacrifice and struggle and journey. If we really want to we can find more to connect on rather than separate.

It is incredible to look at the journey this story has made from that first production in 2012 in San Francisco to today. In 2017 WE ARE HERE at OSF, reaching thousands with this story that now has an added weight of importance to it as our Divided United States struggles with the hurtful, harmful and negative attitudes towards immigrants and refugees. All of the work that is going on in the American Theatre, on our Film&TV sets, all of it must step up to enrich that diverse and dynamic mirror that we are working hard to reflect. Our work as artists requires us to say loud and proud: WE ARE HERE! So that our audiences can see themselves and they too can shout: WE ARE HERE!

As we celebrate the diversity that is on stage at OSF this season  we must also celebrate the diversity of those who are sitting in the audience, completing our storytelling circle. The many generations, the many languages, the many colors, the many emotions, the many travels…

WE ARE HERE… All of us from SOMEWHERE.

What is your immigrant story?

Videos on Mojada:A Medea in Los Angeles @ OSF:

The Oregon Shakespeare Festival presents “The Past is Always Present: Luis Alfaro as a Citizen Artist”A Festival Noon Conversation with Tiffany Ana López ((Director of the School of Film, Dance and Theatre at Arizona State University, Dramaturg for Mojada: A Medea in Los Angeles by Luis Alfaro, and member of the National Latina/o Theater Alliance)

Snapshot: Melding the Modern & the Ancient Scenic and Costume Designer Christopher Acebo shares the inspiration behind the designs of this season’s production of Luis Alfaro’s MOJADA: A MEDEA IN LOS ANGELES. This powerful and timely production is playing in the Oregon Shakespeare Festival’s Angus Bowmer Theatre through July 6, 2017.

Director & Playwright Interview: MOJADA: A MEDEA IN LOS ANGELES Playwright Luis Alfaro and director Juliette Carrillo discuss Alfaro’s play and its contemporary setting in Los Angeles among immigrants. MOJADA will be staged in the Oregon Shakespeare Festival’s Angus Bowmer Theatre from February 19 through July 6

 

 

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