Stepping into Magic: an actor's journey…

"Be not afraid of greatness: some are born great, some achieve greatness and some have greatness thrust upon them" ~William Shakespeare

Archive for the tag “chicano Theatre”

Reflections on the Ravine and Special Guests!

The revival of Chavez Ravine by Culture Clash at the Kirk Douglas has come to a close. Every night we had people on their feet during the final bow and I could feel a rush of emotion, knowing that this important story was heard. This was a story that hit close to home for so many people in that theater, on the stage and in the seats. Night after night audience members would share memories of that time period, current practices of eminent domain in their communities, comments about their thoughts on the production, thanks to the cast for their storytelling and questions about the process of the production. It was a town hall every night, a staff member would moderate the discussion and one or two cast members would attend as well.

On the nights that I went out I was pleased to meet a variety of young women whose parents had brought them to the show, ranging from 8 to 15 years old. These were young Latina women who reminded me of myself, their dark brown hair and eyes, their shy smiles. I always thanked the parents for bringing their daughters and would tell the girls “This play was written for you, you are the next generation of Maria’s.” This is why I do the work that I do. To know that the next generation of change makers were in the audience, listening to a story about history and politics and family and land, reinforced the reasons why I am an artist.

Read an interview I did for USC’s Digital News “Neon Tommy” by clicking HERE!

Among the youth, the LA theatre goers and the folks who maybe entered a theatre for the first time, we had some very special guests in the audience. We had local actors and politicians, activists and artists, celebrities and veterans and even people who lived in the area of Chavez Ravine during the time period in which the play takes place.

TO watch a promotional video created for our production of Chavez Ravine click HERE!

To watch a promotional video created for our production of Chavez Ravine click HERE!

Lila Downs, a dynamic and beautiful musician, attended the show with her husband/collaborator Paul Cohen. I had the chance to meet them both in the green room after the show, my cheeks were burning from smiling. The music that this woman produces has been a part of my life for some time now. I first encountered her sound while working with Las Meganenas, an all female theatre troupe that I am a part of in Albuququerque, NM. We performed version of her songs in our production and would play her music, along with other Latina greats (Mercedes Sosa, Chavela Vargas, Lhasa) in the house of the various theaters we performed in. Her songs are haunting, folkloric, traditional, bilingual, earthy and full of magic. Her voice is like no other and her version of La Llorona is one of my favorites. She appeared in the movie Frida along with Chavela Vargas and I have always been in awe of her beauty and talent.

Vaneza Mari Calderón, Lila Downs and Myself In the green room after the show!

Vaneza Mari Calderón, Lila Downs and Myself In the green room after the show!

On another evening, unbeknownst to me, the widow of Frank Wilkinson was in the audience. The character of Frank Wilkinson is essential to the story of Chavez Ravine, his integrity and later his downfall are displayed by the heartbreaking performance from Richard Montoya. In his final monologue he says: “My name is Frank Wilkinson. I died in 2006. I was 92. One thing I know for sure, I outlived most of those crooked bastards. I love you Donna!” That night, as I watched him from my place on stage I heard Richard’s voice crack with emotion and he delivered those lines in a way I had never heard before. I have to follow his monologue with my own, but before I could speak I had to steel myself before speaking my lines, his delivery has really effected me. As we were taking our final bows we were instructed to stay on stage and Richard pointed to a woman in the audience and said “Is that who I think it is?” She nodded and he continued “Ladies and Gentlemen Donna Wilkinson is here with us tonight!” I just about fell over. She had been in the front row the entire night. She participated in our talk back sharing her thoughts on how necessary housing is still needed in LA, thanking the Culture Clash boys for their truthful and powerful work, and especially their portrayal of her late husband. She is a force, in the small time I was able to speak with her she embraced me and raved about the play. I was deeply honored to have performed for her, to have been on that stage presenting a story in which a her husband’s life was a profound part of.

With Donna Wilkinson at the Kirk Douglas Theatre.

With Donna Wilkinson at the Kirk Douglas Theatre!

When I first began my journey into Latino Theatre I was at the University of New Mexico in a Chicano Theatre class. I was reading Jorge Huerta’s books (Chicano DramaNecessary Theatre) and a collection of Early Works by Luis Valdez. We also explored the work of Carlos Morton, Cherrie Moraga and Guillermo Gomez-Pena, to name a few. I was particularly drawn to one play by Luis Valdez called Bernabe. The main character of this play, named Bernabe, is in love with the earth and the entire play is filled with beautiful magic and heartbreak. I had just begin to explore theatre and acting but in the department there didn’t seem to be enough productions that included Latino/Chicano artists. Some of my classmate in the Chicano Theatre class wrote their own one act plays in the style of Luis Valdez’s actos and they were terrific. I submitted a proposal to the department to direct a show that had three of my classmate’s plays in the first act and Bernabe in the second. I had a cast of 25 actors, most of whom were Latino, and we presented Almas: An Evening of Latino Theatre. Now close to 15 years later I have worked in plays by a number of incredible Latino Playwrights: Lorca, Jose Rivera, Jose Garcia-Davis, Luis Alfaro, Tanya Saracho, Karen Zacarias, Quiara Alegria Judes and now Culture Clash. It’s been an incredible journey that I have ridden with pride and wonder. To have had the opportunity to share my work with one of the Godfathers of Chicano Theatre was a major milestone for me in my career. I was thrilled to share with Luis and Lupe that I directed one of his plays back in the day, during my first steps towards my development as a Teatrista.

With Lupe and Luis Valdez at The City Tavern after a show!

With Lupe and Luis Valdez at The City Tavern after a show!

Living in the story of Chavez Ravine since December 29th was an honor, a blessing, a challenge, a joy and a very necessary part of my path as an artist. I learned from Culture Clash the importance of comedy in storytelling and how much research goes into working on a piece involving untold and untaught history. I am forever thankful to the artists involved in this show, from the actors and musicians on stage to the dressers and crew behind the scenes. I am especially thankful to the producers, education departments and staff at Center Theatre Group for believing in Chicano Theatre being produced at such a high level and with great outreach to the community and students. There is great work being done at the Kirk Douglas Theatre and I am proud to have played that stage.

The marquee at the Kirk Douglas Theatre

The marquee at the Kirk Douglas Theatre (photo found online HERE)

TNM Celebrates 10 years…


Ten years ago we had our first meeting with the founding members of Teatro Nuevo Mexico at the Albuquerque Press Club. There was a thirst for Latino Theatre in Albuquerque and there were a dozen or more veterans of theatre, community organizers and artists who came together to quench this need. Our first production was Sueño by Jose Rivera directed by Michael D. Blum, an adaptation of Calderon De La Barca’s “La Vida es Sueno.” We premiered at the historic Kimo Theatre and closed at the National Hispanic Cultural Center. Running for the first two weeks in October 2003, we had officially revived an all Latino Theatre company and were off to 9 more years of producing work by Latino playwrights with Latino actors, designers, directors and audiences.

For me this journey began at the University of New Mexico during my Junior year of undergrad. I had awakened an interest in theatre and began taking acting classes, directing classes, scene study and educational drama classes. One semester UNM offered a class in Chicano Theatre, taught by Salomé Martinez-Lutz. Her course introduced me to the likes of Cheri Moraga, Luis Valdez, Jorge Juerta and more. Three of my classmates, for our final project, decided to write one-act plays in style of Teatro Campesino. Inspired by the need for more Latino work to be gracing the stages of our University I decided to direct a project that included their three works along with the one act Bernabé by Luis Valdez. The show was titled  ALMAS: An Evening of Latino Theatre.

There was a theatre critic who worked for the Albuquerque Journal, Ann Ryan, who was a staunch supporter of Latino theatre and she had been in conversation with local theatre, T.V. and film actor Miguel Martinez about reviving a company for Latino theatre. (In the mid 70’s and through my childhood La Compañia de Teatro De Alburquerque was a strong presence in the theatre community and many members of this company helped begin Teatro Nuevo Mexico.)  Miguel and I got to chatting one evening and soon enough we had collected a list of people who we thought would be interested in such a venture. Sadly Ann Ryan passed away in 2003 before she was able to see what her conversations with Miguel had started.

Over the years board members have left and been added, many of us moved away, but TNM is still going.  Salome has done a fantastic job of reviving the tradition of Zarzuelas in New Mexico, and she has been directing TNM productions, the last of which was El Vagon (The Boxcar) at the National Hispanic Cultural Center this past September.

I now it hasn’t been an easy job keeping TNM going and I am amazed and thankful for the work Salome has continued to do in order to keep Latino theatre alive in New Mexico.

This post is in commemoration of all of those who have forged a path for Latino theatre in the past and those who continue to do it today. My heartbreaks each year I am not home.  I miss the warmth of the National Hispanic Cultural Center, whose theatre, by the way, is still one of the most beautiful and elegant theaters I have worked in.  My path that began with Salome in her Chicano Theatre class has led me out into the world, far from home yet I will always be a part of TNM as it is a part of me.  Each time I close a show, be it Los Angeles, San Francisco, Denver, Oregon or anywhere, I remember my roots. The mission that those on our TNM board (including my dear friends, my Tia, my Mother, my mentors and colleagues) began with founding TNM, I continue with my work. Our mission was to provide opportunities for positive representation of Latinos to be portrayed on stage and challenge the stereotypes.  We aimed to share with audiences the true stories of our diversity and struggles.

May all of you who have been a part of TNM, on stage and off know how much I honor your commitment to your artistry. Happy Anniversary Teatro Nuevo Mexico, may you have many more years of bringing fantastic work to the stage and thank you for being such a deep part of my work.

Sabina Zuniga Varela as Tomasita in The Tenth Muse by Tanya Saracho. Photo by Jenny Graham.

Sabina Zuniga Varela as Tomasita in World Premier of The Tenth Muse by Tanya Saracho at The Oregon Shakespeare Festival. Photo by Jenny Graham.

Post Navigation